The results can be outstanding. If you are looking for a simple point and shoot lens, a TS-E lens is probably not for you. Tip: Shifting simply 180 degrees between shots (9 and 3 o’clock left and right on the rotating mount) gives a dull shot with the horizon in the middle, the precise problem for which most people buy these lenses in the first place. This is close to the center of the lens’ axis. Visualize this set-up and you should quickly see that capturing the building without distortion and foreground interferences was a very tall order.
Note that this tutorial only discusses the shift feature of a tilt shift lens; for part 2 visit:Tilt Shift Lenses: Using Tilt to Control Depth of Field Alternatively, for an overview of ordinary camera lenses, please visit:Understanding Camera Lenses: Focal Length & Aperture. You only can expose manually, unless you use stop-down metering and AEL before you shift on something like an F3 before you shift. Everything is easy to move and it stays put. You have to be really careful when turning the aperture ring or else you will nudge the focus and ruin your precisely tilted and focused image. Retrieved 2010-04-02. . ^ Segal, David (2007-02-07). «Can Photographers Be Plagiarists?». Slate.
Again, the position of the subject in the image area is adjusted by moving the lens. Available lenses The earliest perspective control and tilt/shift lenses for 35 mm format were 35 mm focal length, which is now considered too long for many architectural photography applications. For those of you who missed the 1960s and 1970s, America’s bringing men to the moon and back safely is a feat never, ever repeated by anyone except more Americans. Furthermore, a 24 mm tilt shift lens is likely to be optically similar to an ordinary 16 mm lens due to a similar sized imaging circle. Gallery of perspective control lenses Olympus 24 mm f/3.5 Zuiko-Shift. 10 mm maximum shift.